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・ Charles Geoffrey Boutcher
・ Charles Geoghegan House
・ Charles George
・ Charles George (disambiguation)
・ Charles George Arbuthnot
・ Charles George Baker
・ Charles George Bonner
・ Charles George Broyden
・ Charles George Drake
・ Charles George Edward Patey
・ Charles George Everard
・ Charles George Fane
・ Charles George Fletcher
・ Charles George Gass
・ Charles George Gordon
Charles George Harper
・ Charles George Hawes
・ Charles George Herbermann
・ Charles George James Arbuthnot
・ Charles George Lewis
・ Charles George McDonald
・ Charles George Milnes Gaskell
・ Charles George Nurse
・ Charles George Tottenham
・ Charles George Tripp
・ Charles George Wickham
・ Charles Georges Ferville-Suan
・ Charles Georges Javet
・ Charles Gerald McNamara
・ Charles Gerard


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Charles George Harper : ウィキペディア英語版
Charles George Harper

Charles George Harper (1863 – 1943) was an English author and illustrator. Born in London, England, Harper wrote many self-illustrated travel books, exploring the regions, roads, coastlines, literary connections, old inns etc. of Britain. In later life, he lived in Petersham.
Aside from the some 170 topographical works, he also wrote a few books on drawing and its techniques, including ''English Pen Artists of To-day'' (1892) and ''A Practical Handbook of Drawing for Modern Methods of Reproduction'' (1894), as well as an anti-feminist polemic, ''Revolted Woman; past, present, and to come'' (1894), and a satirical novel, ''Hearts Do Not Break: a Tale of the Lower Slopes'' (1896), attacking logrolling among the London literary set.
==Critical assessment==
R. E. D. Sketchley’s ''English book-illustration of to-day'' (1903) characterised Harper’s travel books as “… written and drawn with spirited observation. His drawing is not so picturesque as his writing. It has reticence and justness of expression that would not serve in relating tales of the road, but which, together with a sense of colour and of what is pictorial, combine to form an effective and frequently distinctive style of illustration”.
N. W. Webster’s article ''The English traveller'' (1974) describes him as “more a capable draughtsman than a creative artist, although his books would lose much without his delightful sketches”.

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